Keorapetse Kgositsile played a vital part in elevating the position of the cultural worker
Judy Seidman responds to Athi Mongelezi Joja’s expanded assessment of her ‘Drawn Lines’ exhibition
We should be wary of taking theories of commitment and agency as self-evident; we should instead question their unspoken assumptions as we also question the motivations attendant to them
The Mail & Guardian apologises to the artist for the errors of fact and aspersions attributable to our lapses of process
In this response to Judy Seidman, Njabulo Zwane defends a Black Radical Tradition of refusing the notion of work itself
Judy Seidman responds to Athi Mongezeleli Joja’s review of her exhibition with some reflections on the praxis of the Medu Art Ensemble
Recasting images in the public domain to
deliver a message contrary to the originals is
misappropriation, writes <b>Judy Seidman</b>.
Malangatana Valente Nguenha, who died at his daughter’s home in Portugal on January 3, was "much more than an artist, he is a part of us".
I was diagnosed HIV-positive in 1990. I’ve been taking antiretrovirals for nearly eight years. I survived TB meningitis in 2002. I feel healthier now than I did 20 years ago. Maybe that history should make me fear a new, unstoppable killer within the TB and HIV pandemics. But newspaper stories on XDR-TB (extensively drug-resistant TB) do not leave me quaking with fear of this new illness, writes Judy Seidman.