Screen Grab
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Screen Grab: Try the snake linguini in ‘Succession’
HBO’s ‘Succession’ is back, at last — and as bitterly gripping as ever
Screen Grab: A demon of tedium stalks the ‘Midnight Mass’
Mike Flanagan’s Netflix horror series might make you scream for the wrong reason: its heroes are haunted by self-help bollocks
Screen Grab: An eastern western, way down South
In the acclaimed ‘Minari’, now streaming on Showmax, a Korean family start farming and fuming in the Ozarks
Screen Grab: In the land of the lotus eaters
Hawaii hotel drama ‘The White Lotus’ is a shade warmer than ‘Succession’ in its assault on American privilege — but it carries a riptide of savage wit.
Screengrab: ‘Wesens’ has the final weird
In the Afrikaans sci-fi gem on Showmax, found footage reveals an inexplicable object in the Karoo
Screen Grab: Where were Messi’s friends when the chips were down?
From Leo to Rassie to Mourinho, the art of the endorsement commercial is in laughably bad shape
Screen Grab: The devil is in the retail in Krugersdorp
In the true crime docuseries “Devilsdorp”, Cecilia Steyn emerges as an entrepreneur of depravity who monetised white South Africa’s legacy of moral panic about Satanism
Screen Grab: Watching the Euros is shockingly good
If you can look past the bad SuperSport suits and live-action heart attacks, the Euros offer a seductive glimpse of a post-pandemic world
Screen Grab: Ramaphosa, the pixelated prez
Having taken on the form of a spectral apparition, many of us have stopped watching Cyril Ramaphosa’s speeches
Screen Grab: Omar Sy weaves a rebel spell in ‘Lupin’
Omar Sy’s charming master thief televises a dreamy revolution in Lupin, Netflix’s latest Euro blockbuster