Simon Gush’s latest exhibition interrogates the central role played by work in the construction and perception of our identities.
Now based in Berlin, South Africa’s ‘poet of street art’ is back home with an exhibition that signals his intent to keep ‘flipping’ the art world.
Photographer Cedric Nunn’s travelling exhibition puts the spotlight on the South Africa’s past that’s been neglected, distorted or forgotten.
Many of Kemang wa Lehulere’s signature items are present in his latest show, giving it a sense of being ongoing and transmuting.
An exhibition of works by well-known artists and newcomers at Gallery Momo liberates the viewer.
The award-winning duo have put together a thought-provoking exhibition highlighting society’s tendency to perceive Muslim men as one and the same.
The discourse about colour in art ignores the uncomfortable sociopolitical ramifications of race.
Wangechi Mutu’s depiction of the black female form explores current experiences and the way history and politics frame and shape that experience.
The images in Kings County question the sexuality, the banality of work and studio practice – the everyday routine of many artists.
Mohau Modisakeng’s work reflects on violence and race, not in an autobiographical sense, but in terms of black existentiality.