Though it happens to be on during women’s month, this female-only play would stand out at any time of the year.
Local football fans are excited about Knowledge Musona’s imminent move to German club TSG Hoffenheim, but there are reasons to be worried.
Nando’s has embarked on a drive to expose its patrons to creative juices.
The sense of terror is visceral and unrelenting in a dark thriller about tragedy and horror in Peru.
Fashion model and designer Liz Ogumbo is tapping into something she has always known.
Thomas Mapfumo’s <em>African Classics</em> is a 14-track capsule of the history and journey of Chimurenga music
The figure of the bastard, that child banished from the family home, forced its way into several productions at this year’s National Arts Festival.
In <i>Benchmarks</i> the theme of xenophobia is tackled, but with an unsophisticated and paternalistic approach to this scourge.
In <em>Modus Vivendi</em> one sees a complex link between “legitimate” business and the underworld, suppressed desire and failed marriages.
<i>Purgatorio</i> is as difficult to perform as it is to watch.
British rapper and saxophonist Soweto Kinch joined a host of prodigious jazz talents for an unforgettable night in Grahamstown.
<i>Abnormal Loads</i> spans two centuries, which may explain why the production, at times, felt as if it had been spread too thin.
<b>Percy Zvomuya</b> thinks that <i>The Last Pro in Yeoville</i> is a let-down.
<i>The Table</i> opened to a full house at
the National Arts Festival in Grahamstown on Thursday.
<i>The Table</i>, Sylvaine Strike’s latest play, examines notions of the family and the truth.
Those not enjoying jazz at the National Arts Festival this week can catch up with some new talent.
The foundation for the Zimbabwean president’s emergence as tyrant was laid before he was elected, according to a new documentary.
Sifiso Mzobe’s <i>Young Blood</i> was recently awarded the Herman Charles Bosman Prize for English literature. He spoke to <b>Percy Zvomuya</b>.
The picture doesn’t show which jersey number President Jacob Zuma is wearing, but it’s fair to assume it’s the number 10.
Tristan Garcia’s novel is a combination of French leftist politics and nihilism in the era of Aids.
Chance brings two of Zimbabwe’s leading musicians, Oliver Mtukudzi and Thomas Mapfumo, together to share their thoughts and feelings
Prince Twala is as much part of Newton as the bricks and mortar, and he doesn’t like what’s going on, writes <b>Percy Zvomuya</b>.
Orlando Pirates are about to win a treble and comparing them with La Liga’s Atlético Madrid is stretching metaphors, but it’s an analogy worth making.
The nomination of Erik Paliani for a South African Music Award (Sama) for his debut album, Chitukutuku, is a triumph that goes beyond the music.
As the eyes of football fans turn to the Champions League final <b>Percy Zvomuya</b> explains why his romance with the Spanish team is over.
The nomination of Erik Paliani for a Sama for his debut album, <i>Chitukutuku</i>, is a triumph that goes beyond the music.
One lesson I have extracted from the scores of hours of sitting in the theatre is that student productions require dollops of fortitude.
<b>Percy Zvomuya </b>attended Zim Ngqawana’s funeral this week. He reflects on the life of the jazz master.
The church marched ahead of colonialism, softening the souls for a rich harvest by empire, resulting in Christianity remaining the religion of choice.
The pastor who said Jesus was infected with HIV is back for more. This time he would like to welcome you to hell on earth.
An exhibition brings home the horror faced by people forced to leave their countries
The worse the dictator, the more bizarre his rant, history has shown us.