A one-woman performance that confronts memory, violence and complicity, as Vuyelwa Maluleke reclaims language to tell a black queer township story on her own terms
A visually arresting, multidisciplinary spectacle challenges both narrative clarity and audience comfort, raising questions about how theatre must evolve for modern spectators
Drawing from archives and lived experience, the international production probes the emotional and political complexities of reconciliation in a fractured world
A powerful reflection on how Isitha Sabantu channels Fanon’s radical thought into a deeply political, emotionally resonant theatre of resistance and remembrance
The actor, comedian, playwright and presenter leaves a legacy of humour, storytelling and decades of work across theatre, television and radio
John Kani and Zakes Mda are leading masterclasses at the Iphulo Drama Festival, inspiring theatre, writing and directing talent across the Eastern Cape
South Africa’s new Cats cast learns the brutal beauty behind a musical defined by sweat, stamina and sheer ensemble brilliance
Ahead of the Standard Bank Joy of Jazz, Kwanele Sosibo interviews this year’s music and jazz SBYA winners for their reflections on the history and meaning of the awards
Dancing the Death Drill is more than theatre — it is a resurrection, a requiem and a haunting reminder of forgotten African history
Charl-Johan Lingenfelder transforms theatre through sound, turning noise into emotion in his latest work Moffie
A candid look at Campbell Meas’s journey navigating creativity, identity and the challenges of breaking into the arts industry
Dlamini brings new life to a role born from resistance and South Africa’s historic youth uprising
An old actor, a young upstart, and a kettle on the fritz — Bitter Winter turns the ordinary into something unforgettable
South Africa has lost a moral giant as the playwright who challenged injustice through art dies at 92
Production is a poetic, immersive elegy which turns loss at sea into theatre’s most powerful tide
Playwright Louis Viljoen fearlessly tackles a wide range of subjects in his uncompromising and challenging dramas, like the upcoming ‘The Kingmakers’.
After narrating the history of South Africa and the evolution of music on the world’s stage for 15 years, storyteller Penuel "Hope" Ndaba has died.
Since making an indelible mark on South African theatre with <em>Woza Albert!</em>, Mbongeni Ngema has become mired in controversy.
An academic study dedicated to exploring South African drama could easily be viewed as a turgid exercise in promoting scholarly jargon.
Through theatre ordinary people can address difficult issues, writes Percy Zvomuya.
No image available
/ 25 September 2008
Deon Opperman promised his boere musical would be sensational — it’s not, writes Adriaan Basson.
The cast has been working together for three weeks and this is its first complete run-through of <i>Feast Kakhulu!</i> — a "simple story".
Playwright Mbongeni Ngema gets R22-million for a play about the potato boycott, writes Niren Tolsi.
If plays stay on stage, never making their way on to the page, South Africans could lose an important aspect of their culture. But not if Robin Malan’
Reviewer Matthew Krouse and photographer Lisa Skinner paid a visit to those exotic creatures, the Cha Cha Heels.
As a nation, South Africa has long overcome cultural cringe and the need to emulate Anglo-America for artistic validation.