How can western 'universal' museums acquire and display artefacts without stoking the illegal arts trade and reproducing colonialist narratives?
Young South African artists are up there with Sekoto and Stern as hot international property.
Mohau Modisakeng's work reflects on violence and race, not in an autobiographical sense, but in terms of black existentiality.
The collection of a young man who ?courted danger across the continent, Nicholas Penny, is to be sold as "tribal art".
The seminal exhibition by Meschac Gaba at Tate Modern dispels notions that African art is about the traditional or ethnographic.
Tate will reflect its new international focus through a two-year programme of activities focused on Africa, beginning on November 24.
Johannes Phokela takes Percy Zvomuya on a walkabout of his major retrospective and reflects on the impact of European painting on his work.
Carol Brown analyses the vastly different United Kingdom and South Africa covers of the Africa Remix exhibition catalogue.
Located between fine-art performance and street culture, Robin Rhode is one of South Africa's successful art exports, writes Catherine Green.