MOVIE OF THE WEEK: <b>Shaun de Waal</b> reviews <i>Knight and Day</i>, an action comedy starring Tom Cruise and Cameron Diaz.
Climate-change campaigners on Wednesday welcomed plans to alter the way changes to the Kyoto protocol are made in an effort to salvage negotiations.
Vampires are in fashion across the US, encouraged by the hit TV series <i>True Blood</i>, the <i>Twilight</i> movies and <i>Vampire Diaries</i>.
On screen Gibson is a successful anti-hero, but off screen he’s just antisocial. <b>Marina Hyde</b> reports.
How do you turn the July 7 London bombings into a film? Director Rachid Bouchareb tells <b>Stuart Jeffries</b> how it all started.
NOT QUITE THE MOVIE OF THE WEEK: <b>Shaun de Waal</b> reviews <em>Themba</em>, a new South African movie.
MOVIE OF THE WEEK: <b>Peter Bradshaw</b> reviews <em>I Love You, Phillip Morris</em>, starring Jim Carrey.
Ray Harryhausenique is unique in the history of movies as a special-effects technician who is really the auteur of his films.
Unashamedly materialistic and intentionally obscure, Michael MacGarry’s <em>Endgame</em> is one slick show, writes <b>Anthea Buys</b>
MOVIE OF THE WEEK: <b>Peter Bradshaw</b> reviews <em>Creation</em>, starring Paul Bettany as Charles Darwin.
<strong>Nechama Brodie</strong> tells how she met the star of Grease, hoping for an exclusive or a scoop, but came away only with this byline.
When it emerged that Oscar winner Jennifer Hudson had been cast as Winnie Mandela in a biopic of the Struggle matriarch, there was an uproar.
MOVIE OF THE WEEK: <b>Peter Bradshaw</b> reviews <em>Broken Embraces</em>, the new film by Pedro Almodóvar.
DEFINITELY NOT THE SOUTH AFRICAN MOVIE OF THE WEEK: <em>Shaun de Waal</em> reviews <em>Egoli</em>.
NOT QUITE THE MOVIE OF THE WEEK: <em>Shaun de Waal</em> reviews <em>The Imaginarium of Dr Parnassus</em>.
MOVIE OF THE WEEK: <b>Shaun de Waal</b> reviews <em>Green Zone</em>, starring Matt Damon.
EUROPEAN MOVIE OF THE WEEK: <b>Peter Bradshaw</b> reviews reviews <em>The Ghost Writer</em>, starring Ewan McGregor.
NOT QUITE THE MOVIE OF THE WEEK: <b>Shaun de Waal</b> reviews <em>Robin Hood</em>, starring Russell Crowe. We have a DVD collections to give away.
“I don’t think it was made for a South African audience,” was one broadcaster’s response to the co-producer of the film critical of the World Cup.
MOVIE OF THE WEEK: Peter Bradshaw reviews <em>A Serious Man</em>, a sublimely funny serio-comedy by the Coen Brothers.
Mel Gibson’s return as a lead actor, in <i>Edge of Darkness</i>, must be reassuring to those fans who hoped he would not retire into mere directing.
Two lucky readers will win lunch with <i>Jozi</i> lead actor Carl Buekes and director Robbie Thorpe — at one of Johannesburg’s best restaurants.
Few films lend themselves so readily to online parody as <em>Downfall</em>, but the makers of the film want Youtube to remove spoof versions.
MOVIE OF THE WEEK: <i>Percy Zvomuya</i> reviews <em>The Messenger</em>, a different kind of war movie.
<em>Percy Zvomuya</em> speaks to funnyman John Vlismas about <em>Outrageous</em>, his new movie about stand-up comics.
MOVIE OF THE WEEK: Peter Bradshaw reviews <em>A Prophet</em> a powerful prison-gangster picture starring Tahar Rahim.
MOVIE OF THE WEEK: <i>Lionel Faull</i> reviews <em>The Cove</em>, a documentary about Japan’s annual dolphin hunt.
From racy action to silly comedies, there is something for everyone opening on the big screen this Easter weekend.
MOVIE OF THE WEEK: Peter Bradshaw reviews <em>The Hurt Locker</em>, Catherine Bigelow’s Oscar winning film about the war in Iraq.
From cash-in-transit heists to ballet, there is something for everyone in the films opening this week.
From an Oscar winning performance to a film strictly for the kids.
MOVIE OF THE WEEK: Peter Bradshaw reviews <em>Spread</em>, a pessimistic movie about a Los Angeles hustler played by Ashton Kutcher.